"Okay, I can see this working. Will this be an imaginative interpretation of it?"
"Oh yeah. Lots of innovation."
"Well, that's good because every culture has had a reinterpretation of the flood story. We need a new one."
"Well, it's new-ish."
"What do you mean?"
"Well, it's pretty strongly based on the Bible story. Highly interpreted, but still from the Bible."
"Well, there's some great themes there. And you're interpreting it for modern audiences?"
"Absolutely. With a strong environmental message. The animals are innocent so they get saved, but humanity is judged because they kill animals."
"So you say. We'll see. Still sounds interesting. What about the racial slant, you're getting rid of that, right?"
"Racial? What do you mean?"
"You know, the part where one race is good and another race is bad and we have to get rid of the bad race?"
"Oh, uh, well, I kept that bit."
"Well, it kinda drives the plot."
"At least you made Noah a pacifist, right?"
"What do you mean, pacifist?"
"Well, in the text the world was wicked because they were murdering each other without consideration. Noah, in context, was righteous because he didn't kill anyone. He refused to judge."
"Huh. I didn't read that."
"So, you didn't make him a pacifist?"
"You had Noah kill?"
"A little bit. I mean, what do you expect? It's Russell Crowe! It's in the contract-- someone has to be killed! By Russell!"
"Hey, but I got giant rock monsters in there! That's good, right? And Jennifer Connelly really knocks it out of the park. Every one of the dozen lines she and Emma Watson speak are perfect."
"I'll watch it on DVD."