Showing posts with label Crime Drama. Show all posts
Showing posts with label Crime Drama. Show all posts

Friday, April 11, 2014

The Uniqueness of On the Waterfront





















A boxing movie that never has a scene in the ring. 




A gangster movie without a drive by, and the mob boss doesn't kill off his greatest threat. 


An anti-hero that we can really like, despite his deeply cynical viewpoint on life. 




A priest that is truly a complex character. 




On the Waterfront defies genre and typical movie characterization and yet is deeply satisfying. It treads new ground in the time of the Hays code, and yet it wasn't-- couldn't be, really-- copied by a hundred other films. The closest we come to an imitation of this film is the second season of The Wire.

Sunday, March 16, 2014

Cagney Is Red Hot in White Heat (1949)

The cops are all procedural and techy and full of schemes, while the gangsters are Homeric, not only in ideas but in hubris and angst. Because of this, we might have the most complex and human portrayal of gangsters until The Godfather. It isn't that I don't know who to root for, but I truly wanted to see this play out, and the ending, while possible over the top ("of the world", so to speak), was also perfect-- the only way it could have ended appropriately.


Brilliant, and with some great scenery-chewing by Cagney.

Monday, February 24, 2014

Jay of the Dackal... wait, no... Day of the Jackal... yeah, that's it

One of the most enjoyably detailed films I have had pleasure to witness. Full of the kinds of realistic but intense specifics that make up a good thriller. This is a procedural told from two sides: the point of view of the assassin attempting to kill Charles de Gaulle, the hero of France, and the many officials and marvelous detective trying to stop the assassination before it takes place.






The plot is intricate, but never contrived and is never dull. Highly recommended.

Saturday, December 1, 2012

Is the Disciplined Life Worth Living? (Ghost Dog: The Way of the Samurai)

79. Ghost Dog: The Way of the Samurai (1999)


Ghost Dog is a man who lives by the text.  One book, Hugakure: The Book of the Samurai, determines his lifestyle, his every move, his passion and his habits.  He is a disciplined man, disciplined by the text.  He is a noble man, made noble by the noble principles which he upholds.  And he is a hit man.  For every man, no matter what their profession, is noble if they embody noble principles.

A man is not simply made by a text, however.  A principled man is made noble by how he applies the principles in a context.  A samurai must obey his master.  Thus, nobility is determined not only by the principles one follows, but by the nobility of one’s master.

The way of the samurai is not just a set of principles, but a way of looking at life as a noble war.  What if life isn’t noble?  A noble man cannot live where nobility is not honored. 

The disciplined life views all through one set of colored glasses.  Perhaps in our post-modern society, a variety of glasses, a variety of perspectives is necessary. Is nobility so great to be held above survival? Perhaps Rashomon is more noble than Hagakure. 

Ghost Dog is a film in a gritty urban criminal context based on two real books and one very cool film.  The film is Le Samourai, which stars Alain Delon as the coolest hit man ever filmed.  The one text is Hagakure, mentioned above, which is a real text and it quoted extensively in the film. To read more quotes, check it out. The final text is Rashomon, a short story by Akutagawa Ryūnosuke was made into a famous movie by Akira Kurosawa.  The story is quite different from the film and you can read it here